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American literature --- African Americans --- African Americans in literature --- African American authors --- Intellectual life --- #KVHA:Literatuurgeschiedenis; Afro-Amerika --- -English literature --- Agrarians (Group of writers) --- Afro-Americans in literature --- Negroes in literature --- -African American authors --- -Afro-Americans in literature --- English literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Encyclopedias --- Black people --- American literature - African American authors - Encyclopedias. --- African Americans - Intellectual life - Encyclopedias. --- African Americans in literature - Encyclopedias.

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POETRY --- General --- English --- Languages & Literatures --- American Literature --- American poetry --- African American authors. --- African American poetry (English) --- Black poetry (American) --- Negro poetry --- Afro-American authors --- Negro authors

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Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.

Fiction --- Thematology --- American literature --- American fiction --- Literature and society --- African Americans --- Rural-urban migration in literature --- Migration, Internal, in literature --- City and town life in literature --- African Americans in literature --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Afro-Americans in literature --- Negroes in literature --- African American authors&delete& --- History and criticism --- History --- Intellectual life --- Southern States --- In literature. --- African American authors --- Migration [Internal ] in literature --- United States --- 20th century --- Southern States in literature --- Attaway, William A. --- Criticism and interpretation --- Johnson, James Weldon --- Bland, Alden --- Wright, Richard --- Thurman, Wallace --- Toomer, Jean --- Kelley, William Melvin --- Du Bois, William Edward Burghardt --- Ellison, Ralph Waldo --- White, Walter Francis --- McKay, Claude --- Hurston, Zora Neale --- Morrison, Toni --- West, Dorothy --- Slavery in literature --- Slaves' writings [American ]

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Poetry --- American literature --- anno 1900-1999 --- African American arts --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikaanse kunsten --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Arts afro-americains --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Race dans la littérature --- Race in literature --- Ras in de literatuur --- Zwarte Amerikanen in de literatuur --- American poetry --- African American authors --- History and criticism --- 20th century --- Postmodernism (Literature) --- United States --- Modernism (Literature) --- Avant-Garde (Aesthetics) --- African Americans --- Intellectual life --- Music and literature --- History

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This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities--as well as the transformative possibilities--between white feminist and African American cultural formations. Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism.

American literature --- Psychology in literature --- Race in literature --- Psychoanalysis and literature --- African American women --- Feminism and literature --- Women and literature --- African American women in literature --- African Americans in literature --- Race relations in literature --- English --- American Literature --- Languages & Literatures --- Afro-Americans in literature --- Negroes in literature --- Afro-American women in literature --- Literature --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- English literature --- Agrarians (Group of writers) --- Psychology as a theme in literature --- African American authors --- History and criticism --- Women authors --- Intellectual life --- Literature and feminism